Vitro Architectural Glass (formerly PPG glass) uses a L*a*b* color space-a globally recognized color measurement system—to numerically define glass colors on three axes on a three-dimensional spectrum: L* (luminance: lightness-darkness), a* (green-red) and b* (blue-yellow).
On the L* axis, the numerical color values for architectural glass typically plot between 20 and 97, representing levels of transparency from dark privacy glass in the 25 range to ultra-clear, low-iron glass in the 95-plus range. The 0,0 point where the a* and b* axes intersect is considered neutral and is commonly identified as gray. Most tinted and coated glasses (excluding painted spandrels) are fairly neutral in color and have a* and b* values that range from -20 to +20.
The factor △E *ab represents the measurement of distance between any two points in the three-dimensional L*a*b* color space. This enables objective comparison of glass colors without the influence of ambient light or the subjective perception of a human observer.
This system, which incorporates values derived using sophisticated color measurement devices called spectrophotometers, enables objective, numerical comparison of color differences between objects such as glass. These colors are formally defined in several industry standards published by the ASTM:
Glass color is a blend of transmitted and reflected color that is influenced by many factors, including light source, the properties of the coated glass, interior and exterior lighting conditions, viewing angle and differences in observers. Perceived glass color can also be influenced by the size of the sample. For example, the color of a 12” x 12” sample may not appear the same as a 4’ x 10’ glazed unit of the identical glass. In addition, viewing glass samples against a white surface overly emphasizes transmitted color, while a very dark background emphasizes reflected color. Glass installed on buildings includes components of each blended together.
Thus, full-size glass mockups are particularly important to ensuring that all variables reflect those of the finishing building. Note that even when evaluating a full-size mockup in situ, the absence of interior walls and shades during construction may also affect the perception of glass color. Glass samples should always be evaluated in natural daylight since artificial light may emit wavelengths that can skew perception of glass color.
For more information about architectural glass, contact us at vitroglazings.com or call 1-855-VTRO-GLS (1-855-887-6457). To download a printable PDF version of this article, click here.
To learn more about the technical specifications for glass color in the U.S. and North America, visit www.astm.org.